{"id":18397,"date":"2015-05-29T06:33:47","date_gmt":"2015-05-29T06:33:47","guid":{"rendered":"http:\/\/angelus.com.ro\/?p=1985"},"modified":"2020-10-31T19:23:18","modified_gmt":"2020-10-31T17:23:18","slug":"arhitectura-manastirii-carmelitane-o-frumoasa-simbioza","status":"publish","type":"post","link":"https:\/\/arcb.ro\/website\/2015\/05\/29\/arhitectura-manastirii-carmelitane-o-frumoasa-simbioza\/","title":{"rendered":"Arhitectura m\u0103n\u0103stirii carmelitane: o frumoas\u0103 simbioz\u0103 \u00eentre occidental \u0219i rom\u00e2nesc, \u00eentre latin \u0219i bizantin"},"content":{"rendered":"

\"echipa_ciofliceni_web\"<\/a>Complexul monahal al c\u0103lug\u0103rilor carmelitani descul\u021bi, de la Ciofliceni \u2013 Snagov, \u00eembin\u0103 \u00eentr-un mod unic \u0219i armonios elemente arhitecturale occidentale (catolic – italian) cu cele specific rom\u00e2ne\u0219ti, fiind opera comun\u0103 a unui arhitect ortodox rom\u00e2n, Tudor R\u0103dulescu, \u0219i a unui arhitect catolic sloven, Andrej Stepancic.<\/p>\n

Alegerile arhitecturale sunt explicate de unul dintre c\u0103lug\u0103rii carmelitani descul\u021bi, Pr. Antonio Prestipino OCD, italian de origine, cel care s-a ocupat de \u00eentregul proiect de construc\u021bie, \u00eenc\u0103 de la \u00eenceputuri: \u201eAfl\u00e2ndu-ne \u00eentr-o \u021bar\u0103 cu tradi\u021bii de valoare, dar diferite, am dorit s\u0103 realiz\u0103m o m\u0103n\u0103stire \u00een care cele dou\u0103 culturi s\u0103 se \u00eembine \u0219i s\u0103 se \u00eentrep\u0103trund\u0103<\/em>\u201d.<\/p>\n

\u0218i au reu\u0219it. La m\u0103n\u0103stirea de la Ciofliceni, vizitatorul din Occident recunoa\u0219te structura monastic\u0103, tipic carmelitan \u2013 italian\u0103 (dispunerea ambientelor \u015fi a cur\u0163ilor interioare), \u0219i descoper\u0103 noutatea elementelor tradi\u021bionale rom\u00e2ne\u0219ti (fa\u0163adele, acoperi\u015ful \u00een trei ape, porticurile \u015fi balcoanele, elementele din lemn); vizitatorul rom\u00e2n recunoa\u0219te detaliile din arhitectura tradi\u021bional\u0103 rom\u00e2neasc\u0103 \u0219i descoper\u0103 influen\u021bele culturii catolice, \u00een particular italiene.<\/p>\n

Complexul, \u00een ansamblul s\u0103u, este format dintr-un turn, o m\u0103n\u0103stire, o cas\u0103 de oaspe\u021bi \u0219i o biseric\u0103, care \u00eempreun\u0103 creeaz\u0103 dou\u0103 cur\u021bi interioare: una strict monastic\u0103, un chiostro, destinat\u0103 exclusiv c\u0103lug\u0103rilor; alta \u201epublic\u0103\u201d, dar legat\u0103 de biseric\u0103, \u0219i care face din ea o oaz\u0103 de lini\u0219te, de pace.<\/p>\n

Biserica m\u0103n\u0103stirii ascunde \u00een interiorul s\u0103u un univers aparte, reu\u015find s\u0103 \u00eembine \u00een mod armonios at\u00e2t elemente arhitecturale specifice diferitelor zone din Rom\u00e2nia, c\u00e2t \u015fi caracteristici ale spa\u0163iului sacru din arhitectura italian\u0103: fa\u0163ada bisericii are \u201eamprent\u0103\u201d munteneasc\u0103, nava bisericii e de factur\u0103 transilvan\u0103, absida aminte\u015fte de stilul moldovenesc; spa\u0163iul amplu al navei, arcurile \u015fi forma circular\u0103 a altarului trimit la stilul italian al construc\u0163iilor biserice\u015fti.<\/p>\n

Interiorul bisericii se deschide spre \u00een\u0103l\u021bimi, spre cer, ca \u00eentr-o catedral\u0103 gotic\u0103, exprim\u00e2nd dorin\u021ba omului dup\u0103 Dumnezeu, c\u0103utarea \u201ecelor de sus\u201d.<\/p>\n

Bolta bisericii, desf\u0103cut\u0103, se sprijin\u0103 pe 12 st\u00e2lpi din lemn lamelar, care leag\u0103 \u00een mod dinamic \u0219i totodat\u0103 curg\u0103tor zidurile de consolele solide din beton.<\/p>\n

Pardoseala, \u00een dungi albe cu nuan\u021be gri, trimite la ideea trecerii de la \u00eentuneric lumin\u0103, de la profan la divin. Balcoanele laterale se odihnesc pe structura din lemn, a\u015fezate pe lamelele lirelor metalice.<\/p>\n

Poarta de la intrarea \u00een biseric\u0103 este realizat\u0103 din lemn masiv \u0219i are tema Buneivestiri, marcat\u0103 prin elemente din bronz turnat, opera unuia dintre c\u0103lug\u0103rii m\u0103n\u0103stirii, Pr. Tarcisio Favaro OCD.<\/p>\n

 <\/p>\n

\"ciofliceni_18_web\"<\/a>\u00a0 \"biserica<\/a>\"balon_web\"<\/a>\"fereastra_web\"<\/a><\/p>\n

Hits: 325<\/p>","protected":false},"excerpt":{"rendered":"

Complexul monahal al c\u0103lug\u0103rilor carmelitani descul\u021bi, de la Ciofliceni \u2013 Snagov, \u00eembin\u0103 \u00eentr-un mod unic \u0219i armonios elemente arhitecturale occidentale (catolic – italian) cu cele specific rom\u00e2ne\u0219ti, fiind opera comun\u0103 a unui arhitect ortodox rom\u00e2n, Tudor R\u0103dulescu, \u0219i a unui arhitect catolic sloven, Andrej Stepancic. Alegerile arhitecturale sunt explicate de unul dintre c\u0103lug\u0103rii carmelitani descul\u021bi, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[166],"tags":[66],"_links":{"self":[{"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/posts\/18397"}],"collection":[{"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/comments?post=18397"}],"version-history":[{"count":1,"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/posts\/18397\/revisions"}],"predecessor-version":[{"id":23324,"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/posts\/18397\/revisions\/23324"}],"wp:attachment":[{"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/media?parent=18397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/categories?post=18397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arcb.ro\/website\/wp-json\/wp\/v2\/tags?post=18397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}